Paul Gauguin - Other direction of art

Gauguin worked in wood throughout his career, particularly during his most prolific periods, and is known for having achieved radical carving results before doing so with painting. Even in his earliest shows, Gauguin often included wood sculpture in his display, from which he built his reputation as a connoisseur of the so-called primitive. A number of his early carvings appear to be influenced by Gothic and Egyptian art. In correspondence, he also asserts a passion for Cambodian art and the masterful colouring of Persian carpet and Oriental rug.

Tehura 1891 The Rape of Europa 1998 Be In Love and You Will Be Happy 1889 Cabeza de muchacha 1894
Tehura
1891
The Rape of Europa
1898 24x23x4cm
Woodblock
Boston Museum of Fine Arts
Be In Love and
You Will Be Happy
1889 95x72x6cm
Carved and painted linden wood
Boston Museum of Fine Arts
Cabeza de muchacha
1894 15x26x18cm
Museo Thyssen-Bornemisza
Gauguin's severed head 1889 Idol with shell wood carving 1892 Soyez Mysterieuses 1890 Scene of Worship with Head of Hina in Profile from the relief ensemble Pape moe (Mysterious Water). 1894
Gauguin's severed head
1889
Tate Gallery London
Idol with shell
1892
wood carving
Musée d'Orsay Paris
Soyez Mysterieuses
1890 woodcut
From the MOMA exhibit, Gauguin
Scene of Worship
with Head of Hina in
Profile from the relief
ensemble Pape moe.
Mysterious Water
1894
Paul Gauguin's rifle butt Objet  1894 Oviri. Sauvage 1894 Earthly Paradise 1888
Paul Gauguin's
rifle butt
Objet
1894 34cm
terre cuite,
rehauts peints
Musée d'Orsay, Paris
Oviri. Sauvage
1894 75cm
Musée d'Orsay, Paris
Earthly Paradise
1888 101x120x60cm
Pine and oak sideboard
Art Institute of Chicago
Pere Paillard 1902 Eve 1890 Pair of Wooden Shoes 1890 Vessel with Women and Goats 1888
Pere Paillard
1902 67x18x20cm
painted miro wood
National Gallery of Art,
Washingon, DC, USA
Eve
1890 60x27x27cm
glazed ceramic
National Gallery of Art,
Washingon, DC, USA
Pair of Wooden Shoes
1890 12x32x11cm
polychromed oak,
leather, and iron nails
National Gallery of Art,
Washingon, DC, USA
Vessel with Women
and Goats
1888 20x11x11cm
Stoneware
Metropolitan Museum of Art,
New York City
Walking Stick with a female nude and a Breton sabot on the handle 1889