Paul Gauguin - Paintings 1888-1889
Under the influence of folk art and Japanese prints, Gauguin's work evolved towards Cloisonnism, a style given its name by the critic Édouard Dujardin in response to Émile Bernard's method of painting with flat areas of color and bold outlines, which reminded Dujardin of the Medieval cloisonné enameling technique. Gauguin was very appreciative of Bernard's art and of his daring with the employment of a style which suited Gauguin in his quest to express the essence of the objects in his art
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Portrait of a little boy 1888 |
Portrait of a man wearing a lavalliere 1888 |
Portrait of a woman. Marie Lagadu 1888 |
Portrait of Madelaine Bernard 1888 |
River Aven below moun Saint Marguerite 1888 |
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Rocks on the breton coast 1888 |
Seascape with cow on the edge of a cliff 1888 |
Self portrait at Lezaven 1888 |
Self-Portrait Dedicated to Vincent van Gogh. Les Miserables 1888 |
Sheperd and sheperdess in a meadow 1888 |
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Still Life Fete Gloanec 1888 |
Still life with Japanese print 1888 |
Still Life with Three Puppies 1888 |
Swineherd, Brittany 1888 |
The clog-maker 1888 |
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The first flowers 1888 |
The Vision after the Sermon. Jacob wrestling with the Angel 1888 |
The wave 1888 |
Brittany Landscape 1888 |
Van Gogh Painting Sunflowers 1888 |
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View of Pont-Aven from Lezaven 1888 |
Washerwomen 1888 |
Washerwomen at Roubine du Roi 1888 |
Willow by the Aven 1888 |
Young woman at the window 1888 |
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A breton boy 1889 |
At the black rocks 1889 |
Beach at Le Pouldu 1889 |
Bonjour, Monsieur Gauguin 1889 |
Breton Boy in a Landscape with Goose 1888 |
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Breton Eve 1889 |
Breton Girls by the sea 1889 |
Breton Landscape - Fields by the Sea. Le Pouldu 1889 |
Bretons and cows 1889 |
Brittany landscape with women carrying sack 1889 |
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Calvaire breton 1889 |
Caribbean Woman, or Female Nude with Sunflowers 1889 |
Flutist on the cliffs 1889 |
Haymaking 1889 |
Human misery 1889 |
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In Brittany 1889 |
In the Waves. Dans les Vagues 1889 |
Jeanne d'Arc, or Breton girl spinning 1889 |
Landscape at Le Pouldu, the isolated house 1889 |
Landscape with two breton women 1889 |
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Nostalgic Promenade 1889 |
Portrait of Meyer de Haan by Lamplight 1889 |
Portrait of two children. Paul and Jean Schuffneker 1889 |
Rocks on the coast 1889 |
Schuffenecker Family 1889 |
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Seated breton girl 1889 |
Self Portrait with Halo 1889 |
Still life Ripipont 1889 |
Still Life with a Fan 1889 |
Still Life with Apples, a Pear and a Ceramic Portrait Jug 1889 |
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Still life with onions, beetroot and Japanese print 1889 |
Still Life with Peaches 1889 |
The Agony in the Garden 1889 |
The Beautiful Angel. Madame Angele Satre, the Innkeeper at Pont-Aven 1889 |
The creek, Le Pouldu 1889 |
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The Ham 1889 |
The Kelp Gatherers 1889 |
The milkmaid 1889 |
The red cow 1889 |
The swineherd 1889 |
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The willows 1889 |
The Wooden Gate. The Pig Keeper 1889 |
View of the beach at Bellangenai 1889 |
Willows 1889 |
Yellow Christ 1889 |
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Yellow Haystacks. Golden Harvest 1889 |
Young breton by the sea 1889 |
Young Breton Woman 1889 |
Self portrait with mandolin 1889 |
The Drama of the Sea, Brittany, from the Volpini Suite Dessins lithographiques 1889 |
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Human Misery, from the Volpini Suite Dessins lithographiques 1889 |
Old Women of Arles, from the Volpini Suite Dessins lithographiques 1889 |
Old Man with a Stick 1888 |
Portrait of Jacob Meyer de Haan 1889 |
The large tree 1889 |
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